- Out Of A Whole Planet’s Population, One Hero Will Be Chosen: It’s Probably Going To Be A White Dude
Well we are the majority the odds are in our favor
no yoU AREN’T THAT WAS THE POINT OF THIS POST YOU DENSEHEADED DINGLEFRICKER
is the new arrested development going to be only available in US or netflix in general, cause I really wanna watch it hhhhhhhhhhhhhhhhhhhh
appparently it’ll be available in Canada a few hours later. I don’t know about other places
TW: RAPE, MISOGYNY, TRANSPHOBIA, VIOLENCE AGAINST WOMEN, SEXUAL ABUSE, ABUSE, ABLEISM, HOMOPHOBIA, RAPE PROMOTION
Reddit Refusing To Remove Popular Subpages That Promote Harmful Behavior
I’m writing in an attempt to bring awareness to a current petition going on trying to enforce Reddit to actually act on their own User Agreement and remove all their pages (subreddits) that do not follow these guidelines.
“You agree not to use any obscene, indecent or offensive language… [material must not be] defamatory, abusive, bullying, harassing, racist, hateful, or violent….further agree not to use any sexually suggestive language…” - taken from Reddits User Agreement
Unfortunately right now Reddit is ignoring their own rules and letting pages like the following exist with little to absolutely no moderation:
These all exist on Reddit~ one of the most popular social networking sites that has had 34 MILLION UNIQUE VISITORS. Reddit gets around 1.8 billion page views every month. These subreddits are not that unknown either. If you go through the top subreddits on Reddit you will find almost every single one of these within the first 10-20 pages. This is simply something that everyone that uses Reddit, including their own moderating team, turn a blind eye too.
Recently one of the most popular subreddits on Reddit “creepshots” that was dedicated to users taking suggestive pictures of woman without their consent and putting it online without their knowledge was taken down. Users of this subreddit were known for posting pictures of underage girls, a teacher was even fired from taking pictures of his students and posting it on creepshots. This subreddit was deleted by the creator of creepshots because someone was blackmailing him and threatening to expose his identity. It was not taken down by Redditors moderators even after all the media backlash and arrests made that have come from Creepshots.
Related reading on the awfulness that existed in creepshots that was allowed to be there by Reddit if you are not convinced by my words alone:Obviously, a lot of bad came from creepshots. Was this all really worth leaving it up for? Can we now learn from creepshots that getting like minded people talking about taking advantage of/raping/and even murdering is only going to lead to worse actions and encouragement of individuals to do harm to others.for more examples of the TERRIBLE BEHAVIOR and related news articles about said behavior on these subreddits please visit: http://predditor.tumblr.com/
im going to casually boost my reddit posts because we’re almost 500 signers away from the 10,000 goal!
Cleared of Charges of Setting Off a School Explosion, Florida Honor Student Heads to Space Camp
Kiera Wilmot is going to space camp.
In late April, the 16-year-old central Florida honor student was accused of igniting a chemical explosion on school grounds, leading to her arrest and suspension from school, but authorities dropped criminal charges last week.
The nightmarish ordeal was shocking for her single mother, Marie Wilmot, who always encouraged Kiera and her twin sister, Kayla, to follow their passions.
“The initial phone call was terrifying,” Marie told ABC News. “Time will help I hope, it was devastating for me as a mother.”
While school officials debate whether Kiera will return to Bartow High School, the Wilmot family received an unexpected surprise.
The explosion struck a chord with 18-year NASA veteran Homer Hickam, a former lead astronaut training manager for Spacelab, and later for the International Space Station.
In the late 1950s, Hickam had a brush with law enforcement for allegedly starting a forest fire. State police came to his high school and led him and his friends away in handcuffs, but his high school physics professor and school principal came to the rescue, clearing him of wrongdoing.
Back then, schools did not have zero tolerance rules. Kids could make their mistakes without the threat of a criminal record, or serving time in jail.
“I couldn’t let this go without doing something,” Hickam said. “I’m not a lawyer, but I could give her something that would encourage her. I’ve worked closely with the U.S. Space Academy, and so I purchased a scholarship for her.”
Learning of her twin sister, Hickam raised enough money so Kiera and Kayla could attend space camp together. Hickam runs several scholarships for kids with potential, and hopes to create an ongoing Space Academy scholarship. The twins will attend in July.
I can go on about how I like orcas.
They kick so many asses.
Sure they look like sea pandas, and they can be affectionate, and they’re intelligent, but yeah, remember that they have this thing called organized hunting groups omg.
So. Damn. Cool.
Killer Sea Pandas
This post was asking about a potential link between the afro-style wigs and big, painted lips of the modern clown and racist caricatures, so I decided to do what any good theatre history student would do - I did some research.
SPOILER ALERT: YUP, IT’S RACIST AS FUCK
From Janet M. Davis, The Circus Age: Culture & Society Under the American Big Top:
Some circus programs contained portraits of clowns in literal blackface, with huge red mouths and bulging eyes, strumming energetically on a banjo, but often the auguste clown’s blackface was metaphorical. He created his racial identity through the act of ‘‘whitening up’’ with thick pancake.
His greasy whiteness and exaggerated bodily zones—huge red mouth, lolling, paint-encircled eyes, big fake nose, ears, and feet—made his look strikingly similar to blackface. Showmen played upon this visual connection by arguing that African American men literally were clowns because of their supposed aﬃnity for clowning and the circus. The Ringling Bros.’ route book from 1895 and 1896 contained a section, ‘‘The Plantation Darkey at the Circus,’’ which imagined—in almost orgasmic language—black men as minstrel characters.
Proprietors further conﬂated the African American man and the clown by arguing that both were completely controlled by their emotions, not reason.
Superlative examples of white manhood—the big cat tamer, the wire walker, and so forth—demonstrated little emotion during life-threatening acts. The clown, by contrast, howled in mock fear when he saw a mouse, or shrieked in pain at a mosquito bite. Showmen characterized male African American spectators in a similar vein as giddy and superstitious.
Actual big-top acts made this rhetorical relationship between the clown and the African American complete. In 1888 Eph Thompson trained the elephant John L. Sullivan at the Adam Forepaugh circus. Wearing a boxing glove at the end of his trunk, the elephant sparred with Thompson in the ring and frequently ‘‘punched’’ him so hard that Thompson went ﬂying over the ring bank.
Unlike the white trainer who dominated powerful animals, Thompson played a clownish coward—constantly vanquished by the boxing pachyderm—and consequently remained unthreatening to Euroamerican audiences. Yet Thompson still had a diﬃcult time ﬁnding employment with American shows. As a result, he moved to Europe where his career ﬂourished.
In line with the tenets of nineteenth-century romantic racialism, show-men’s portrayals of black men and clowns reﬂected contemporary representations of white women: late-nineteenth-century scientists argued that ‘‘excessive’’ emotionalism deﬁned women, racial ‘‘savages,’’ and children of all races. The German Darwinist Ernst Haeckel and the Americans Edward Drinker Cope and G. Stanley Hall were all proponents of recapitulation theory, positing that every organism repeats the life history of its ‘‘race’’ within its own lifetime, evolving through the less developed forms of its ancestors on its path to maturity. They contended that Euroamerican women and ‘‘primitives’’ remained mentally and emotionally ﬁxed in lower ancestral stages of evolution. Accordingly, only white boys were physiologically and mentally capable of reaching the highest stages of racial and gender development as fully evolved men. This line of thought used pseudoempirical phrenological evidence to claim that African American men were perpetually emotional and juvenile, just like the clown.
The painted clown acted out childish behaviors and infantile pleasures. He reveled in dirt, cried freely, openly adored the serious ‘‘adult’’ acts, and played physical pranks on everybody, from ringmaster to the audience. If playing a hobo (popularized most fully by Emmett Kelly’s ‘‘Willie’’ tramp character during the Depression, when at times nearly one-quarter of the American workforce was unemployed), the auguste clown’s persona was deﬁned by dirt. Laughing loudly at the clown’s antics perhaps transported audiences back to the unrestrained pleasures of their own collective infancy and childhood.
More than a ‘‘low Other’’ who simply represented a tantalizing version of what they were not, the unfettered clown symbolized what clock-bound, alienated adult Euroamerican men perhaps felt they had lost.
Even the red noses have their origins in racist stereotypes.
From Mikita Brottman, Funny Peculiar: Gershon Legman and the Psychopathology of Humor:
While the Native American plains tribes had their own various manifestations of the Trickster figure, the main clown type of non-Native Americans was not the August, as it was in Europe, but the character clown… After the [Civil War] ended, however, one particular style of character clown came into prominence: the Hobo.
Eric Lott describes how the Hobo figure was originally based on the blackface minstrel clowns (hence the exaggerated white mouths) who portrayed the figures of African Americans made homeless by the ravages of the Civil War.
Lott explains that the Hobo character clown is a distinctly American invention, with his tattered hat, huge white mouth, three days’ growth of beard, torn clothes, and cartoon alcoholic’s big red nose. […] It seems ironic that such mawkishly appealing personalities had their roots in the miseries of poverty and oppression and the disfigurements of alcoholism and venereal disease.
Well, this explains a lot. Thank you http://ianthe.tumblr.com/ for looking it up. Reblog this and spread the word.
Smh. Of course…………..
This dude was happily taking pictures of girls legs, feet and whatever else he pleased without their consent. So I snapped my own pic and said “enjoy the internet motherfucker’. He laughed at me. Plz share. #publicshame #newYork #subway